I am a multidisciplinary, non-binary artist working at the intersection of circus performance, installation, and show production. My practice centers on the suspension of reality as a tool for connection. I am drawn to create moments of wonder which make audiences soften and become curious. I see immersive environments as spaces where transformation becomes possible by allowing people to engage without the constraints of everyday roles.
Circus arts first shaped my artistic identity. Through highly physical disciplines such as contortion and object manipulation, I built a career as an independent performer. Over time, my work expanded beyond individual performance to include the fabrication of stage dressings, costumes, and production.
Between 2019 and 2024, ongoing health challenges reshaped my relationship to physical performance. This period catalyzed a shift in my practice toward sustainability, both environmental and personal. During this time I began focusing on immersive installations and collaborative production models.
Three core values guide my work:
Evolution – My practice is adaptive. As my body and capacities change, so do the forms through which I tell stories. I am interested in expanding circus beyond individual spectacle into experiential environments that integrate sculpture, light, sound, and performance.
Sustainability – I prioritize long-term artistic viability. This includes working within my physical limits and developing environmentally conscious fabrication processes through the use of repurposed materials and modular design.
Community – Collaboration is central to my methodology. I design projects that create meaningful work opportunities for other artists and invite audiences into shared experiences.
My current practice explores how immersive worlds can function as living ecosystems. In these spaces, performance emerges organically and audiences are invited not only to watch, but to dwell within it.
